NOVELTY IN KEYED AND STRINGED MUSIC INSTRUMENTS

THE RELATED ART

The present invention relates to music instruments, which is used in the field of music, and which makes sounds by the keys, which are found on itself and through interfaces which strike to the strings which are found on itself and which are connected to the keys.

The present invention particularly relates to the music instrument, which enables playing 53 commas (comma: the smallest sound) as a result of obtaining 53 different frequencies which can be obtained from an octave used in TURKISH MUSIC and which is not possible to be played by a single instrument, and which enables use of one, a few, a group of, some or all of the 53 sounds formed in an octave (in a sound interval of two sounds in which the frequency of one is twice the frequency of the other).

THE PRIOR ART

In the science of musical instruments, organology, the instruments are analysed with the order of percussion instruments, wind instruments and string instruments regarding the phases that this art have gone through from the birth of human, no matter which type of music is considered. The percussion instruments, also called "rhythm instruments", are divided into three as: woods, cymbals, and leathers; the wind and string instruments - parallel to the rhythm instruments - are called "melody instruments" and the winds are classified as "tongue" and "non-tongue", while the strings are classified as "plectrum" and "stringed". In the present applications and in Turkish music, facilities are used only for certain situations. The features seem not to be formed completely in terms of either structure or sound. While the meaning of sound is a lot more and strongly regular in Turkish music, it does not provide much facilities except certain situations.

In the present applications, one octave is divided into 12 sounds in Western music, 17 sounds in Arab music, while it is divided into 24 sounds in Turkish music. In other words, it is possible to obtain sound in the said number of varieties and frequencies from an octave.

The second significant situation in Turkish music is the transpose. Since the 24 sounds used are not formed in equal intervals in an octave, when a melody formed with a certain sound beginning is desired to be started from another sound, it can not be transposed if the sound intervals are not appropriate. With a transposed melody, all properties of which remaining the same, it is possible to obtain a completely different melody. Due to the structure used, unfortunately, even this is limited too. Transpose does not exceed 25 in Turkish music.

The third significant situation in the prior art is the subject of tuning (adjustment of the sound or frequencies ("440 Hz.": according to the internationally accepted opinion, the name of the tuning of instrument is the tuning which corresponds to the la sound of the chassis or the strings found at the body of the instrument) of the strings of any instrument according to certain intervals). With this adjustment, it is possible to use appropriate sounds in performing works. According to the above explanation, every instrument needs tuning. In order to play music, it is important for one to be able to recognize the sound and hear the sound within melody. Therefore, the appropriate tuning is selected for the instrument to be used, and the instrument is tuned. The number of tunes used is only 13. The number of the sounds having frequencies obtained by striking the tense strings in the prior art, sometimes does not reach the required number for performing a melody, and more than one instruments are needed for obtaining the present sounds.

Nowadays, it is known that there are many applications in the music sector. One of these applications relates to the electronic pianos disclosed in the application with no US D598043.

Another application relates to multifunction digital pianos disclosed in the application with no CN 201210392. In this application, the invention is a piano comprising a digital piano body, feet, digital piano main system, piano keyboard, piano panel, electronic flow crystalline screen and piano cover, and it is characterized in that; it can be controlled from the computer system, it comprises computerized keyboard and keyboard support component and the said computerized keyboard is connected to the piano body.

As a result, improvements are made in instruments and thus novel embodiments are needed, which would eliminate the above said drawbacks and which would bring solutions for the prior systems. PURPOSE OF THE INVENTION

The present invention relates to a Turkish music instrument which meets the above said requirements, eliminates all of the drawbacks and brings about some additional advantages. The invention, besides using the facilities in Turkish music and in prior applications, provides great advantages and novelties to the user about playing the instrument and the diversity of the sounds obtained from the same music instrument, which could not be obtained till today, using these facilities and using the required combinations in order to provide novel facilities in music contrary to the accepted idea. Contrary to obtaining insufficient and limited number of sounds in an octave from an instrument used in the applications of the prior art, the present invention have increased the number of sounds to 53, which can be obtained in different frequencies in an octave with an instrument. In other words, it is possible with this invention to obtain the said number of sounds having the said frequency diversity in an octave.

The invention have eliminated another significant problem, which is obtaining only 24 sounds with the musical instruments used in Turkish music instead of obtaining the present 53 sounds, by obtaining sounds having 53 different frequencies with a single instrument.

By providing formation of sounds in equal intervals in each octave in 53 different frequencies, the invention enables making transpose easily when a melody which is started with a sound beginning having a certain frequency is desired to be started with a sound having another frequency, since the frequency intervals of the sound is equal and appropriate. The musical instrument, which is the subject of the invention, provides the user with the facility to make transpose to all sounds present in the keyboard (212 sounds).

The invention has the features to provide significant advantages to the user about adjustment of tuning (adjustment of the sound or frequencies ("440 Hz.": according to the internationally accepted opinion, the name of the tuning of instrument is the tuning which corresponds to the la sound of the chassis or the strings found at the body of the instrument) of the strings of any instrument according to certain intervals) which is a great problem in the prior art. The invention enables the user to make 106 tunes. The invention provides formation of sounds in desired frequencies by the strings via small strikes made on the keys found on the keyboard, which then strike to the strings found on the body, called the chassis, with the appropriate transmission mechanisms. While the desired sounds are formed in the invention, through the interfaces designed appropriately, a key can strike at more than one strings and create vibrations. This provides us to be able to make tuning in a wide range.

In order to achieve all of the above said advantages which will also be understood better with the below detailed description, the present invention relates to musical instruments; comprising large hammer chassis (20), medium hammer chassis (40) and/or small hammer chassis (60) on which magnetic hammers are found; large string chassis (10), medium string chassis body (32) and/or small string chassis body (52) on which the strings (139) are connected; keyboard (100) having keys (101) on itself, and keyboard kit (90) which strengthens the strikes of the keys (101), and it is characterized in that; it enables playing 53 commas as a result of obtaining 53 different frequencies which can be obtained from an octave and which is not possible to be played by a single instrument, and which enables use of one, a few, a group of, some or all of the 53 sounds formed in an octave (in a sound interval of two sounds in which the frequency of one is twice the frequency of the other), and it comprises;

- a large string chassis (10) in which 106 sound strings (139) are found making sounds within 2 octaves between the frequencies of 32,6 - 128,7 hertz when the strings (139) found on it are stroke, and which comprise the part having the first and the second octave (11) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the first octave starting from the most bass (having the lowest frequency) sound, and the other 53 belong to the second octave;

- a medium string chassis (30) in which 106 sound strings (139) are found making sounds within 2 octaves between the frequencies of 130,4 - 514,8 hertz when the strings (139) found on it are stroke, and which comprise the part having the third and the fourth octave (31) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the third octave and the other 53 belong to the fourth octave;

- a small string chassis (50) in which 106 sound strings (139) are found making sounds within 2 octaves between the frequencies of 521,5 - 2059,1 hertz when the strings (139) found on it are stroke, and which comprise the part having the fifth and the sixth octave (51) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the fifth octave and the other 53 belong to the sixth octave;

- a tuning kit (80) which can compare and combine the energy inputs of magnetic hammers belonging to each hammer chassis (20, 40, 60) with the keyboard kit (90), and which operates as an energy channel;

- a male jack kit (82) which is placed over the tuning kit (80) and which has the energy intake and transmission function through the mechanical signal coming from the keyboard kit (90), and

- a female jack kit (81) which is placed over the tuning kit (80) and which has the energy intake function coming from the male jack kits (82).

In a preferred application of the invention, The purpose is to comprise an instrument used in TURKISH MUSIC.

In a preferred application of the invention, the hammer (141) which is used for obtaining sound by providing vibration through striking to the sound string (139) comprises a hammer arm (142) which provides the motion transmitting the motion to the said hammer (141); hammer vibration stopper (143) which operates by the motion taken from the pallet (73) connected below every hammer (141); stopper arm (144) which provides movement of the hammer vibration stopper (143) by transmitting the motion to the hammer vibration stopper (143) which it takes from the pallet (73); vibration stopper (145) used for stopping the vibration found on the string (139) when contact is lost with the key (101) found on the said keyboard (100); pusher component (146) which provides connection of the vibration stopper (145) with the hammer arm (142) and the pallet (73) via the said hammer vibration stopper (143); bobbin (147), which actuates the pallets (73) via the magnetic impact found on itself and thus which is used as the active circuit component actuating all magnetic independent hammer systems; and bobbin core (148) which is magnetized via the electrical current and which gains the functionality of moving the bobbin (147).

In a preferred application of the invention the said pusher component (146) is preferably a spring.

In a preferred application of the invention, the said hammer (141) comprises impact damping component (149) which is connected to the contact points of the vibration stopper (145) and the hammer vibration stopper arms (144). In a preferred application of the invention, the said impact damping component (149) is preferably made of felt.

The invention is a music instrument, in which, as a result of pressing the key (101), which transmits the mechanical energy to the contact button circuit (104) where the mechanical energy is formed via the force applied onto the key when pressed, and which is found on the keyboard (100), where the keyboard is formed of keys (101) and transmits the strikes to the keyboard kit (90) via the contact button circuit (104) found under each key (101); with the energy it takes from the power source (110) providing energy to electric circuits, it transforms the force applied on the key (101) into electrical energy via the keyboard kit (90) and then transmits it to the tuning kit (80), and it transmits the signal occurring as electrical energy to the magnetic hammer systems (140) in order to actuate the hammers (141), each of which is sized individually and appropriately in a way that they would correspond to individual sound strings, and each of which would strike to the sound string (139) having the desired frequency in order to obtain the desired sound, Having frequency intervals which can be adjusted according to the sound string (139) length changes of the sounds having 53 different desired frequencies within at least one and each octave,

Which comprises 53 sound strings (139) according to the number of turns in the part involved in at least one octave in the frequency intervals or comprises other sound strings (139) belonging to other octaves having 53 strings in each octave; and in which the total number of sound strings (139) can be adjusted in a way that it would be equal to the multiplication of 53 strings with the desired number of octaves, and comprises

a large string chassis (10) on which at least one or all of the said sound strings (139) are placed and/or

a medium string chassis (30) on which at least one or all of the said sound strings (139) are placed and/or

a small string chassis (50) on which at least one or all of the said sound strings (139) are placed.

In a preferred application of the invention; the purpose is to obtain sounds with frequency intervals by transforming the mechanical energy occurring due to pressing a key (101) found on the said keyboard (100) first into electrical and then again into mechanical energy via the tuning kit (80) in a way that at each strike sound would be obtained from only one sound string (139) or it would be adjustable for more than one sound strings (139).

In a preferred application of the invention; the purpose is to place the said magnetic hammer system (140), the said keyboard (100), the said keyboard kit (90), and the tuning kit (80) where the mechanical-magnetic-mechanical transmission to the instrument can be made when the mechanical energy occurring as a result of the force applied on the key (101) is transmitted first electrically, then magnetically and then mechanically first to the hammer (141) and then to the sound strings (139) as a signal. In a preferred application of the invention; in order to provide 53 sounds remain in an octave in a large string chassis (10), medium string chassis (30) or small string chassis (50), the purpose of the invention is to preferably use Pythagoras scale or Holder scale.

In another preferred application of the invention; in order to obtain first octave having 53 sounds in the large string chassis (10), the sound output of the A string chassis has to be preferably between the 32,6 - 64,3 Hertz frequency range.

In another preferred application of the invention; in order to obtain second octave having 53 sounds in the large string chassis (10), the sound output of the B string chassis has to be preferably between the 65,2 - 128,7 Hertz frequency range.

In another preferred application of the invention; in order to obtain third octave having 53 sounds in the medium string chassis (30), the sound output of the C string chassis has to be preferably between the 130,4 - 257,4 Hertz frequency range.

In another preferred application of the invention; in order to obtain fourth octave having 53 sounds in the medium string chassis (30), the sound output of the D string chassis has to be preferably between the 260,8 - 514,8 Hertz frequency range.

In another preferred application of the invention; in order to obtain fifth octave having 53 sounds in the small string chassis (50), the sound output of the E string chassis has to be preferably between the 521 ,5 - 1029,5 Hertz frequency range.

In another preferred application of the invention; in order to obtain sixth octave having 53 sounds in the small string chassis (50), the sound output of the F string chassis has to be preferably between the 1043,1 - 2059,1 Hertz frequency range.

In another preferred application of the invention; in order to obtain first octave having 53 sounds in the large string chassis (10), the sound output of the A string chassis has to be preferably between the 32,6 - 64,3 Hertz frequency range and in order to obtain second octave having 53 sounds in the large string chassis (10), the sound output of the B string chassis has to be preferably between the 65,2 - 128,7 Hertz frequency range.

In another preferred application of the invention; in the said large string chassis (10) sound is made in a total of 106 different frequency intervals.

In another preferred application of the invention; in order to obtain third octave having 53 sounds in the medium string chassis (30), the sound output of the C string chassis has to be preferably between the 130,4 - 257,4 Hertz frequency range and in order to obtain fourth octave having 53 sounds in the medium string chassis (30), the sound output of the D string chassis has to be preferably between the 260,8 - 514,8 Hertz frequency range.

In another preferred application of the invention; in the said medium string chassis (30) sound is made in a total of 106 different frequency intervals.

In another preferred application of the invention; in order to obtain fifth octave having 53 sounds in the small string chassis (50), the sound output of the E string chassis has to be preferably between the 521 ,5 - 1029,5 Hertz frequency range and in order to obtain sixth octave having 53 sounds in the small string chassis (50), the sound output of the F string chassis has to be preferably between the 1043,1 - 2059,1 Hertz frequency range.

In another preferred application of the invention; in the said small string chassis (50) sound is made in a total of 106 different frequency intervals. In another preferred application of the invention; in the 32,6-2059,1 Hertz interval of the instrument, sound is made at most 318 different frequency intervals.

In another preferred application of the invention; the invention comprises a keyboard (100) formed 212 keys (101) which are arranged along three rows.

The present invention particularly relates to the music instrument, which enables playing 53 commas as a result of obtaining 53 different frequencies which can be obtained from an octave and which is not possible to be played by a single instrument, and which enables use of these sounds in all kinds of music in a way that their number would be 53 times the desired number of octaves.

The structural and characteristic features of the invention and all advantages will be understood better in detailed descriptions with the figures given below and with reference to the figures, and therefore, the assessment should be made taking into account the said figures and detailed explanations.

BRIEF DESCRIPTION OF THE FIGURES

For better understanding of the embodiment of present invention and its advantages with its additional components, it should be evaluated together with below described figures.

Figure-1 is the mounted perspective view of a representative application of the invention.

Figure-1a is the flow scheme of the working principle of the invention.

Figure-2 is the general view of the string chassis in the invention.

Figure-2a is the general view of the string chassis and the tension system in the invention. Figure-2b is the general view of the string tension system in the invention.

Figure-2c is the general view of the string tension system components in the invention.

Figure-2d is another view of the string tension system components in the invention.

Figure-3 is the general view of the magnetic hammer system in the invention.

Figure-3a is the general view of hammer layout in the invention.

Figure-4 is the general view of the tuning kit in the invention.

Figure-4a is the flow scheme of operation of the tuning kit in the invention.

Figure-5 is the general view of the keyboard and key positions in the invention.

Figure-5a is the upper and perspective view of the keyboard and key system in the invention.

Figure-5b is the front view of the keyboard system in the invention.

Figure-5c is the perspective view of the positioning of the keyboard system in the invention.

Table-1 is the table of the frequency list of the invention based on chassis.

REFERENCE NUMBERS

10. Large string chassis

11. First and second octave part

12. Large string chassis body

20. Large hammer chassis

30. Medium string chassis

31. Third and Fourth octave part

32. Medium string chassis body 40. Medium hammer chassis

50. Small string chassis

51. Fifth and sixth octave part

52. Small string chassis body 60. Small hammer chassis

70. Hammer Chassis

71. Chassis Lug nuts

72. Chassis foot

73. Pallet

74. Small and Large Pallet Pillar

80. Tuning kit

81. Female jack kit

82. Male jack kit

90. Keyboard kit

100. Keyboard

101. Key

102. Key cover

103. Pressure spring

104. Keyboard contact button circuit 110. Power source

120. Accumulator charging circuit

130. String tension system

131. Acoustic string threshold

132. String fitting house

133. String tension region

134. String tension rod

135. String end attachment screw

136. Direction rotating screw

137. String pressing plate

138. Wood block

139. Sound strings

140. Magnetic hammer system 141. Hammer

142. Hammer arm

143. Hammer vibration stopper

144. Vibration stopper arm

145. Vibration stopper

146. Pusher component

147. Bobbin

48. Bobbin core

149. Impact damping component

Descriptions of the terms used:

Tune (accord); Sound convenience setting according to constant tuned instruments in Turkish music.

Scale ; Notes found within a certain interval.

Frequency ; Number of vibrations in unit time.

Hertz ; Vibration unit

Holder ; (William) English music theoretician (1614-London-1697) member of Saint Paul Church Episcopate Council. Analysed the physiology of music. Published an analysis on basics and principles of harmony (1694).

In this analysis, tried to divide an octave into 53 equal commas. These are called Holder commas later on. In the system he established, value of a diatonic half tone is 4 commas, value of a twelve-tone (chromatic) half tone is

5 commas and value of a Holder tone is 9 commas.

Comma ; The smallest sound unit in Turkish music.

Octave ; is the name given to the interval between two sounds which have a ratio of 2 between their frequencies. For example, the frequency of the second do in the standard do-re-mi-fa-sol-la-si-do series is twice the frequency of the first do and it is referred to as "1 octave upper" than the first do.

Pest ; Low frequency.

Pythagoras ; (Pythagoras, Greek philosopher VI ^th Century B.C.) Dealt with the numbers. Suggested many theorems on behalf himself by saying that everything is a number. In terms of theory of music, deals with the subject only regarding the ratio of the lengths of tense strings which make sounds. This scale, also called as the Pythagoras scale is formed of natural sounds (fa, do, sol, re, la, mi, si). Since many instruments depend on the tense string principle, their tuning systems are formed with intervals of four and five.

Therefore Pythagoras scale is also called the scale of violinists.

High ; High frequency.

Trimer ; Varying resistance.

Pad ; Intermediate component, which provides placement and removal of keys

Transpose (change of fret, change of place); Taking a melody from a sound beginning to another sound beginning without deforming its properties.

DETAILED DESCRIPTION OF THE INVENTION

In this detailed description, the preferred embodiments of the instrument, which is the subject of the invention, will only be disclosed for better understanding of the subject, and will not form any limiting effect.

The Pythagoras numbers (see Pythagoras), which are convenient with the basic structure of Turkish music system, support the mathematical structure of Turkish music. Presently applied 24 sounds concept and its proof depends on this mathematical basics. The invention completely support the structure of Turkish music. Presently applied 24 sounds concept is included in these. The presently applied 24 sounds concept consists of 24 sounds having unequal intervals which are selected among the 53 sounds in an octave in Turkish music with appropriate methods. Division to 53 is as follows. 53 is the summation of the intervals of the ( 1 , 9/8, 81/64, 4/3, 3/2, 27/16, 243/128, 2 ) scale, which provides the concept of Pythagoras for determining the places of notes according to the tense string lengths which make the sounds. The intervals in this scale are 9, 9, 4, 9, 9, 9, 4; which sum up to 53. The meaning of the ratios in the Pythagoras scale is as follows. If we call a tense string vibration between two points as the do sound, the 9/8 sound, which is the second sound, is heard when this tense string is divided into 9 parts and is vibrated by taking length 8 parts, and in this case, the second sound is said to be at 9/8 distance to the do sound. As a second example, the la sound (6 ^th component in the scale), which is the baseline for Turkish music, is said to be at 27/16 distance to the do sound. This situation is the same for each octaves (in the sound interval of two sounds, where the sound of one is twice the other), and the sounds which are found just one octave upper are twice the sounds found the sounds in one octave lower.

The 24 sounds selected with appropriate proof methods from the 53 sounds found in an octave of Turkish music are (the sounds made by the strings found on the chassis respectively, for example, here the sounds in D chassis (see Table-1); D1 , D5, D6, D9, D10, D14, D15, D18, D19, D23, D24, D27, D28, D31 , D32, D36, D37, D40, D41 , D45, D46, D49, D50, D53) taken as a basis in Turkish music. In fact, 6 series of 53 sounds (all strings; the strings in the A-B, C-D, E-F chassises) are available all the time.

For better understanding of the subject, another illustration is given. It is assumed that the 53 sounds (strings) in six octaves are arranged sequentially, and the sound frequencies are arranged according to the Holder mentality (equal interval arrangement) with very tiny (-) or (+) error margins. While this arrangement is made, the la (D41) sound is taken as 440 hertz and all of the other string sounds are formed according to this sound (according to the frequencies calculated with regard to this sound). You end up with a sound making arrangement spread over six octaves, having 53 sounds in each octaves. When you fit the 24 sounds spread over an octave (over 53 sounds) with unequal intervals on octave base (template of one octave) to the sound arrangement having six octaves, it is seen that all sounds of the 24 sounds come along the 24 sounds of the 53 sounds. When you shift this template to one sound left or right, it can be seen that this can also be done at a few more sounds or the sounds 20, 23, 17, 35 etc. It will be seen that, fitting of the intervals of the template you have and the intervals at the other side does not fail.

Another illustration is;

This scale giving sounds with 53 sounds each spread over six octaves will be fixed (by adjusting the la (D41) sound to 440 hertz, ) and sequence numbers will be written on all of the sounds and all of the strings with adjusted sounds. Considering our octave with 53 sounds as 53 sounds each scaled on four octaves, the sounds will be written again for each octave. The figure we have is as follows. As it is seen in Table 1 , it is a series of strings giving 318 sounds, in which the highest sound is 2059,1 hertz, and the most pest sound is 32,6 hertz. The second is a sound series of 212 sounds which are arranged over four octaves in groups of 53 sounds each, and in which the sequence number and if present the related name is written on each sound. Six octaves will remain fixed, and four octaves will move across them if required. At each place, where the four octaves sound stop within the boundary of six octaves, a sound group of four octaves found within the six octaves will come across that four octaves sound group. When the four octaves group is analysed, it will be seen that the sounds coming across the other sounds would be found in a way that is fit with the general distribution. If we call the four octaves group as keyboard (100), and the six octaves sound strings as the chassis, in the new situation, it will be seen that for each sound found on the keyboard (100) there are sounds that has to be heard from the chassis. The keyboard (100) being in front of the chassis, If we place the keyboard (100) comma that we desire in front of the la (D41) string of the chassis in order to provide it give the la (D41) sound of the keyboard, the four octave keyboard shows us the tuned sounds for the sounds found in front of D41. In the tuning concept of the invention, the tune of the keyboard takes the name of the sound on the keyboard which comes across the la (D41) string of the chassis. For the tune, only the frequency of the sound across the D41 string is called 440 hertz. If a tuning name is desired, the name of the keyboard sound found across the la (D41) sound of the chassis will be the tuning name; however, if it is a sound without a name, then the string chassis sequence number of that sound would be the tuning name. In the instrument, which is the subject of the invention, the 29 sounds can also be used, which are found aside the 24 sounds among the 53 sounds. It is possible to hear the 53 sounds clearly in the instrument, which is the subject of the invention. Tuning is quite easy in the instrument, which is the subject of the invention. It can practically make 106 tunings or it can make this operation for two octaves (53 sounds in each octaves). In the instrument, which is the subject of the invention, each key uses many strings, and every key makes 106 sounds found in the chassis via the tuning kit.

Since the sounds of the keyboard can be provided from the chassis strings via appropriate transmission mechanisms, tuning can be made according to 106 sounds. Holder concept can be used instead of Pythagoras concept (the concept of determining the places of the notes with regards to the tense string lengths forming the sounds), since it can form a sound scale with equal intervals and also it has quite small error margin (about three over ten thousand) with regards to the sounds of Pythagoras scale in Turkish music. Using the Holder comma mentality, information can be obtained in a much more easier way and with quite small errors. Holder comma (the smallest sound unit), mathematically, is the 53 ^rd square root of the number 2. If we call the Holder comma as k; it satisfies: k ^A 53 = 2. From this formula, the number k is found as k=1 , 013164143. The value of this two sound interval is constant all along the sound axis (along 318 sound strings with six octaves). Here the k coefficient is the multiplication factor between two sounds.

The second important problem in Turkish music is the transpose. In the instrument, which is the subject of the invention, the problem of transpose is also considered. Since equal interval arrangement is used in the said instrument in the chassis (10, 30, 50) and the keyboard (100) for carriage of sounds, problem of transpose does not occur. When a melody formed by a certain sound beginning is desired to be started from another sound (which is transpose), in the instrument, which is the subject of the invention, it is possible to start from any sound of the keyboard (100). Therefore, transpose can be applied to all of the sounds (212 sounds) found in the keyboard.

Small, middle and large chassises (50, 30, 10) are found in the instrument, which is the subject of the said invention. These said chassises (10, 30, 50) are given in figure 2, respectively. In figure , as it is seen in the perspective view of the instrument, which is the subject of the invention, the first part A and the second part B octaves are defined in the large chassis, which representatively comprises first and second octave parts (11). Here, in the octave A, the sound strings (139) up to the beginning of the most bass sound, which is 1 to 53, are between the range of 32,6-64,3 Hertz as it is seen from Table 1 , and in the octave B, the sound strings (139) 1 to 53 are formed between the range of 65,2-128,7 Hertz. In the middle chassis (30), C and D octaves are found which comprises the part having the third and the fourth octave (31). Here the sound strings (139) from 1 to 53 in the octave C are found between the range of 130,4-257,4 Hertz, and the sound strings (139) from 1 to 53 in the octave D are found between the range of 260,8- 514,8 Hertz. At the same time, also the small string chassis (50) is found, which comprises the fifth and the sixth octave part (51) having the octave E and F. Here the sound strings (139) from 1 to 53 in the octave E are found between the range of 521 ,5-1029,5 Hertz, and the sound strings (139) from 1 to 53 in the octave F are found between the range of 1043,1-2059,1 Hertz. The strings (139) are connected at the chassises. These said sound strings (139) are the strings, which are made of various materials, and which provide formation of desired sounds in certain (53 different) frequencies having equal intervals within 1 octave, which, in fact, is the purpose of the invention. The required dimensions of the strings (139) are arranged logarithmically. The shortest string size is 50 mm, while the longest string size is 1280 mm. The best sound a string can give is obtained by stretching that string with the 1/3 ratio of the force that is required to tear that string. The string having the appropriate size and diameter which are convenient with the desired frequency is selected according to the calculations made as a result of these explanations and the material used. Chassis sizes are quite different with regards to the strength of the chassises (10, 30, 50). Because of string tensioning, there is a total tension about a few tons and a twisting force smaller than that value in the chassises (10, 30, 50). There are 106 sound string (139) placements in each chassis (10, 30, 50). The strings (139) are connected to the small string chassis (50) from 1 to 106 from the right end to the left end, and the 106 ^th string is included. There are strings (139) arranged on the medium string chassis (30) from 107 to 212 from the right end to the left end, and the 212 ^th string is included and in the large chassis, the strings (139) are arranged from 213 to 318, where the 318 ^th string is included. As it is seen in figure-2, figure-2b, figure-2c and figure-2d, these are the string tensioning systems (130) on which the strings (139) found on the said chassises (10, 30, 50) are tensioned in order to be able to make the sounds in desired frequencies. Sound string threshold (131) is used on the said chassises (10, 30, 50) in order to provide the strings (139) be placed on them. There is the string fitting house (132) on the said sound string threshold (131), and it is used as a housing opened for not allowing the strings (139) skid. The region on which the strings (139) are tensioned on the said chassises (10, 30, 50) is the string tension region (133). It is the string tension rode (134) which provides the desired tension in order to obtain the desired frequency by wounding the sound string (139) around itself. It is the string end attachment screw (135) on which the sound string (139) is bound and fixed from one end in order to provide formation of tension in the sound string (139). In order to increase the tension area which is required for tensioning of the sound string (139), direction rotating screw (136) is used on which the said sound string (139) is contacted. There are string pressing plates (137) placed on the sound strings (139) and between the said sound string threshold (131) and the direction rotating screw (136) in order to avoid skidding and separation of the strings (139) from the sound string threshold (131).

It is the wood blocks (138) preferably made of wooden material, when the sound string (139), placed behind the chassises (10, 30, 50), vibrate, which would cause vibration of the chassises (10, 30, 50) loosening of the string tension rod (134).

In the said large string chassis (10); there are 106 singular, double and triple wound sound strings (139) found making sounds within 2 octaves between the frequencies of 32,6 - 128,7 hertz carrying the beginning string of the most bass sound, called A and B. In the said large string chassis (10), when the strings (139) found on it are stroke, there is the part having the first and the second octave (11) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the first octave starting from the most bass (having the lowest frequency) sound, and the other 53 belong to the second octave. The said large string chassis (10) is connected on the body (12). As it is also seen in figure-1 ; it is the large hammer chassis (20), which carries the electromechanic hammer units (hammer arrangement) on itself, which are formed of 106 different and appropriately positioned hammers positioned for striking to the strings found on the large string chassis (10). In the said medium string chassis (30); there are 106 singular, double and triple wound sound strings (139) found making sounds within 2 octaves between the frequencies of 130,4 - 514,8 hertz, which are the third and the fourth octaves, also called as C and D. In the said medium string chassis (30), when the strings (139) found on it are stroke, there is the part having the third and the fourth octave (31) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the third octave, and the other 53 belong to the fourth octave. In order to provide connection of the strings of the part having the said 3rd and the 4th octaves, medium string chassis body (32) is found.

It is the said medium hammer chassis (40), which carries the electromechanic hammer units (hammer arrangement) on itself, which are formed of 106 different and appropriately positioned hammers positioned for striking to the strings found on the medium string chassis (30).

In the said small string chassis (30); there are 106 singular, double and triple wound sound strings (139) found making sounds within 2 octaves between the frequencies of 521 ,5 - 2059,1 hertz, which are the fifth and the sixth octaves, also called as E and F. In the said small string chassis (50), when the strings (139) found on it are stroke, there is the part having the fifth and the fourth octave (51) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the fifth octave, and the other 53 belong to the sixth octave. In order to provide connection of the strings (139) of the part (51) having the said 5th and the 6th octaves, small string chassis body (52) is found.

It is the said small hammer chassis (60), which carries the electromechanic hammer units (hammer arrangement) on itself, which are formed of 106 different and appropriately positioned hammers positioned for striking to the strings found on the small string chassis (50).

A tuning kit (80) seen in figure 4 and figure 4a is used, which can compare and combine the energy inputs of the 212 of the 318 magnetic hammers belonging to the said hammer chassises (20, 40, 60) with the keyboard kit (90) output, and which operates as an energy channel. It is a female jack kit (81), which is placed over the tuning kit (80), which has the energy intake function coming from the male jack kits, and as seen in figure 3 and figure 3a, which transmits this energy to the magnetic hammer system (140) via the female jack it comprises. Each of the said female jacks (318 jacks) is connected to one magnetic bobbin input. Keyboard kit (90) is used for strengthening and sending the key strikes to the tuning kit (80), where the keyboard kit has 212 inputs and outputs. It is the male jack kit (82), which is , placed on the said tuning kit (80), which provides transmission of the energy coming from the keyboard kit (90) to the female jack kit via the male jacks (82, 81) found on itself and which have the functions of taking and transmission of this energy, and which has a total of 212 jacks on itself, which are formed of ten groups of twenty jacks and a group of twelve jack.

A keyboard (100) is used in order to transmit the strikes to the keyboard kit (90) via the contact button circuit found below every keys, and which is formed of 212 keys which are arranged along three rows . As the said keyboard and keys are seen in figure-5, figure-5a, figure-5b, figure-5c; keys (101) are used in order to transmit the mechanical energy to the keyboard contact button circuit (104), where the mechanical energy is formed due to the force applied when the keys found on the said keyboard (100) are pressed. On the said keys, there are covers (102) and pressure spring (103). It is the keyboard contact button circuit (104) which sends the key strikes to the said keyboard kit (90) in order to strengthen the strikes of the said keys (101). Each of the said circuit (104) outputs are directly connected to the keyboard kit (90). A power source ( 10) is used in order to provide energy to the electric circuits of the invention, which provides 12 volts and 105 AH power. A direct current accumulator charging circuit (120) is used for charging the said power source (110). 220 Volt AC current passes from the said accumulator charging circuit as it is also seen in figure-1a. Magnetic hammer system (140) is used in order to make sounds by striking to the strings (139) via the intermediate units which are actuated by the command of the said keyboard (100). It is the hammer (141) which is used for creating vibration by striking to the string (139). It is the hammer arm (142), which transmits motion to the said hammer (141) and which provides motion of the said hammer (141). It is the hammer vibration stopper (143) which is found below every hammer (141) in a certain position, and which works with the motion it takes from the pallet (73). It is the stopper arm (144), which transmits the motion to the said hammer vibration stopper (143) which it takes from the pallet (73) and thus provides motion of the hammer vibration stopper (143). Vibration stoppers (145) are used in order to stop the vibration in the string (130) when contact is lost with the key (101) found on the said keyboard (100). It is the pusher component (146) which provides connection between the hammer vibration stopper (143) and the hammer arm (142) and the connection between the pallet (73) and the vibration stopper (145). The said pusher component is preferably a spring. It is the bobbin (147), which is the active circuit component, which actuates the pallets (73) via the magnetic impact it forms on them and thus which activates the magnetic independent hammer systems of every magnetic bobbin. It is the bobbin core (148) which is magnetized via the electrical current and which provides the functionality of moving to the bobbin (147). An impact damping component (149) is used which is positioned at the contact points of the components, such as the said hammer (141), vibration stopper (145), hammer vibration stopper (143), with the other components. The said impact damping component (149) is preferably made of felt. It is the hammer chassis (70) which carries the said hammer mechanism on itself. It is the chassis lug nuts (71) which is the connection component that connects the bobbin (147) and other parts to the chassis. It is the chassis foot (72) which comprises the hammer arm (142), vibration stopper (145), large and small pallet (73) pillar on itself. Pallet (73) is used in order to provide movement of the large and small pallet pillars by transmitting them the motion it took from the bobbin (147) and pallet pillars are used in order to provide movement of the large and small pallet pillars (74) by transmitting them the motion they took from the bobbin.

The invention particularly relates to;

The mode of operation of the keyed instrument, which is the subject of the invention; And which is the transmission of the hand movements to the strings (139) which make sounds by an electromechanic mechanism through the keys (10) found on the keyboard. The mechanism making sound as a result of this transmission is only the striking of the hammers (141) to the strings (139). Besides making sounds, since it is also very important to make the sound with the desired frequency, the motion transmission is made electromechanically. In summary, when a key (101) is pressed on the keyboard (100), the signal belonging to this key (101) is strengthened in the keyboard kit (90), in the tuning kit (80) it finds the hammer (141) to which it will go, and the hammer (141) strikes the string (139). Since electric energy is used, the system is supported by accumulator and charger. Placement of strings (139) is as follows.

Small string chassis (50) consists of 106 strings from E1 to E53, and from F1 to F53 from left to right end which provide sounds in frequencies with equal intervals

Medium string chassis (30) consists of 106 strings from C1 to C53, and from D1 to D53 from left to right end which provide sounds in frequencies with equal intervals

Large string chassis (10) consists of 106 strings from A1 to A53, and from B1 to B53 from left to right end which provide sounds in frequencies with equal intervals;

And the total number of the sound strings (139) are 318.

Frequency list according to string naming is given in figure-6.

The present invention relates to musical instruments; comprising large hammer chassis (20), medium hammer chassis (40) and/or small hammer chassis (60) on which magnetic hammers are found; large string chassis (10), medium string chassis body (32) and/or small string chassis body (52) on which the strings (139) are connected; keyboard (100) having keys (101) on itself, and keyboard kit (90) which strengthens the strikes of the keys (101), and it is characterized in that; it enables playing 53 commas as a result of obtaining 53 different frequencies which can be obtained from an octave and which is not possible to be played by a single instrument, and which enables use of one, a few, a group of, some or all of the 53 sounds formed in an octave (in a sound interval of two sounds in which the frequency of one is twice the frequency of the other), and it comprises;

- a large string chassis (10) in which 106 sound strings (139) are found making sounds within 2 octaves between the frequencies of 32,6 - 128,7 hertz when the strings (139) found on it are stroke, and which comprise the part having the first and the second octave (11) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the first octave starting from the most bass (having the lowest frequency) sound, and the other 53 belong to the second octave;

- a medium string chassis (30) in which 106 sound strings (139) are found making sounds within 2 octaves between the frequencies of 130,4 - 514,8 hertz when the strings (139) found on it are stroke, and which comprise the part having the third and the fourth octave (31) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the third octave and the other 53 belong to the fourth octave;

- a small string chassis (50) in which 106 sound strings (139) are found making sounds within 2 octaves between the frequencies of 521,5 - 2059,1 hertz when the strings (139) found on it are stroke, and which comprise the part having the fifth and the sixth octave (51) comprising the strings (139) which are used to obtain sounds with a total of 106 different frequencies, where 53 of these belong to the fifth octave and the other 53 belong to the sixth octave;

- a tuning kit (80) which can compare and combine the energy inputs of magnetic hammers belonging to each hammer chassis (20, 40, 60) with the keyboard kit (90), and which operates as an energy channel;

- a male jack kit (82) which is placed over the tuning kit (80) and which has the energy intake and transmission function through the mechanical signal coming from the keyboard kit (90), and

- a female jack kit (81) which is placed over the tuning kit (80) and which has the energy intake function coming from the male jack kits (82). The invention is a music instrument, in which, as a result of pressing the key (101), which transmits the mechanical energy to the contact button circuit (104) where the mechanical energy is formed via the force applied onto the key when pressed, and which is found on the keyboard (100), where the keyboard is formed of keys (101) and transmits the strikes to the keyboard kit (90) via the contact button circuit (104) found under each key (101); with the energy it takes from the power source (110) providing energy to electric circuits, it transforms the force applied on the key (101) into electrical energy via the keyboard kit (90) and then transmits it to the tuning kit (80), and it transmits the signal occurring as electrical energy to the magnetic hammer systems (140) in order to actuate the hammers (141), each of which is sized individually and appropriately in a way that they would correspond to individual sound strings, and each of which would strike to the sound string (139) having the desired frequency in order to obtain the desired sound, Having frequency intervals which can be adjusted according to the sound string (139) length changes of the sounds having 53 different desired frequencies within at least one and each octave,

Which comprises 53 sound strings (139) according to the number of turns in the part involved in at least one octave in the frequency intervals or comprises other sound strings (139) belonging to other octaves having 53 strings in each octave; and in which the total number of sound strings (139) can be adjusted in a way that it would be equal to the multiplication of 53 strings with the desired number of octaves, and comprises

a large string chassis (10) on which at least one or all of the said sound strings (139) are placed and/or

a medium string chassis (30) on which at least one or all of the said sound strings (139) are placed and/or

a small string chassis (50) on which at least one or all of the said sound strings (139) are placed.

The present invention particularly relates to the music instrument, which enables playing 53 commas as a result of obtaining 53 different frequencies which can be obtained from an octave and which is not possible to be played by a single instrument, and which enables use of these sounds in all kinds of music in a way that their number would be 53 times the desired number of octaves.

The protection area of this application has been specified under claims and cannot be limited to the descriptions only given as sampling above. It is obvious that a person skilled in the related art can apply the innovation disclosed by this invention into similar purposed other areas by means of changing the parts in form and using similar structures. Therefore, it is also clear that such embodiments lack of innovation criteria.